The New Yorker art editor Françoise Mouly on what makes an unforgettable cover

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In 1968, as student protests swept through Paris and the world seemed full of hope and on the brink of real, lasting change, Françoise Mouly had a front row seat. Aged 13, she had stayed in the city with her father while her mother and sisters joined the evacuation. “It was a great, great time,” she remembers. “Usually I don’t like crowds but there’s something really nice about that shared belief that you can actually change the world.

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