Texan artist Mark Lovejoy produces work that’s a bit of of a head scratcher. What at first looks like a complex digital render could also just be photographs of thickly-painted palettes. In fact Mark’s images are a hybrid of both; myriad individual photographs of paints, pigments waxes and resins, shot and reshot, manipulated and then retouched some more until the surface textures take a pleasing aesthetic form, but retain their ambiguous genesis.
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